Lulu presents: New Orford String Quartet

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Thursday, May 10th, 2018
7:30 PM

New Orford String Quartet is coming to Gabriola May 10th, 2018. Juno Award winners for Classical Album of the Year, 2017. And you know what…they called us! Here’s a little background information…

The original Orford String Quartet: In 1965, a new Canadian string quartet was formed at the Jeunesses-Musicales du Canada summer camp at Parc National du Mont-Orford (today the Orford Arts Centre). The Orford String Quartet gave its first public concert on August 11, 1965. Through its many recordings and tours both at home and abroad, the Orford String Quartet became one of Canada's best-known and most illustrious musical ensembles. After 26 years and more than 2000 concerts on six continents, the Quartet disbanded, giving its last concert on July 28, 1991.

The New Orford String Quartet: In July 2009 the New Orford String Quartet arose from the fame and tradition of its glorious predecessor, giving its first concert for a sold-out audience at the Orford Arts Centre. In the short time since its creation the New Orford Quartet has seen astonishing success, giving two concerts at the Orford Arts Centre for national CBC broadcast and receiving unanimous critical acclaim, including three Opus Award nominations for Concert of the Year.

Canadian violinist Jonathan Crow, is the Concertmaster of the Toronto Symphony Orchestra. Andrew Wan, violin, is the Concertmaster of the Montreal Symphony Orchestra, making him one of the youngest concertmasters of a major symphony. Eric Nowlin, viola, has performed extensively throughout the United States and abroad. Principal Cellist of the Montreal Symphony Orchestra since 1999, Brian Manker enjoys a diverse and varied musical career as a performer and teacher.

Reviews of the New Orford String Quartet debut concert in the Montreal Gazette applauded a concert performance that was “sweet, balanced and technically unassailable less than a week after their members met for the first time... Lustily applauded in the Orford Arts Centre, the concert was true to the Orford name in its beauty and refinement. Indeed, there was no trace of roughness anywhere.” Le Devoir described the musical result as “stupefying”. Recent performances in Montreal and Quebec were met with immediate invitations for return engagements.